Just a big fat list of resources including IkeaHackers, Apartment Therapy, etc.
The last session of the Library Issues & Challenges track I moderated on Monday was The Next Big Thing, a chance for people to hear the big ideas and big plans of their peers. Yeah, we had Sarah Houghton (San Rafael Public Lib) and Ben Bizzle (Craighead Cty Jonesboro Public Lib) and David Hesse and Brian Pichman (Mokena Public Lib) giving their thoughts first, but then we opened it up to the audience.
And man, did they have ideas. Louise Alcorn of the Des Moines Public Library was our Madam of Awesome and took pages of notes as people told us what their Next Big Things were personally, professionally, organizationally, and what they thought was next for librarianship as a whole.
Here’s what they had to say:
Day 2, my full day of just being an attendee.
Morning Keynote: Lee Rainie & the Changing Roles of Libraries
Pew Internet & Life mentioned in The Onion. “This is a parody, but it is *so* awesome.”
Today, I’m moderating Track D: Library Issues & Challenges along with Michael Sauers of the Nebraska Library Commission. This track is an experiment, where we encourage more interaction and participation from the audience. We’ve got them at round tables instead of in rows of chairs, and we’ve asked our speakers to keep the “talking head” mode to a minimum and to encourage lots of questions and contributions from the folks out there. It worked really well at Computers in Libraries 2012, and now we’re trying it at Internet Librarian.
I’m going to try for one post a day
David Weinberger, Opening Keynote
“Libraries as Platforms”
Not just about resources being digital – “The real change is in the networking.”
Library as Platform, with some advantages:
- provides a unifying framework
- social networks taken seriously
- increases the value of the library, both perceived and real
Mentioned J.L. Austen, philospher.
Allows access to resources, encourages community networks to arise, including knowledge networks,
Knowledge networks are really big (huge scale) and have many many links – just like the internet.
Our brains are really small – just one kilogram of matter – and yet we want to know everything with it.”
We’ve come up with strategies to deal with this:
- We need to filter.
We divvy the world of knowledge up into brain-sized chunks, put those chunks into people and call them experts.
We also take the products of those experts and put them into a physical medium and call them books, and libraries.
- The property of these storage mediums have shaped our idea of the shape of knowledge.
Including the idea that knowledge is “settled”
- The answers that we get from knowledge are stopping points – we’ve got an answer and we’re done.
Knowledge lives in networks – not in the nodes of the networks, but in the connections between them.
Knowledge lives on the internet – that’s where the new news is.
The value of this network comes from the disagreement.
The internet is exposing the lie of The Enlightement: we, collectively, don’t agree about anything, not even facts.
Since the Web has infinite space, ‘forking’ a conversation is easy – just tell people to take it offline or offlist.
It’s also a different way of disagreeing – much more public, and can be more productive.
Social learning. – “Software developers now live int he fastest, most efficient environment ever for rapid learning.”
One of the biggest concern of this truth about the internet is that the Echo Chamber Effect will simply become magnified. “If this is true, then the internet is not the dream of democracy but the nightmare of democracy.”
Reddit can be an echo chamber that has figured out how to open some windows: it’s the promise of the Enlightenment without the presumption that at the end, we will all agree on what’s so.
What do we want from these networks?
- Iteratively Add Value
Thinking about libraries in terms of services – NOT assets, whether digital or physical
“There’s no difference between data and metadata except the direction of the operation…. At some level, everything can be metadata for everything else.”
“Backends can be Webstarts” – support standards, share our work, make things as open as possible, rethink privacy
There’s so much we can do with this data once we figure out the right balance of risk and opportunity.
You need to find enough in common to begin a conversation. You get to the 99% of sameness so you can then go off and talk about the differences.
Locality enables difference, but there must be difference – that’s where the conversation/discussion is formed.
Libraries should take everything that they know – assets, library staff from every single department (front and back), users, and the connections between all of these – and make it available to every user and network of user that can be improved by having access to it.
Keeping on with our DIY theme, let’s look at site for musicians, sound technicians, and vocal artists of all kinds.
What Is It?
Soundcloud is a place for anyone who has created any kind of sound to upload that audio file to share with the world.
And that’s it – it’s like Flickr for audio files instead of photography. Any kind of sound that can be saved digitally and uploaded can be added to Soundcloud: music, singing, sound effects, talking, symphonies, or anything else. Then, it’s available for anyone to listen to and comment on, giving you feedback on how good (or not-so-good) your audio is.
How Does It Work?
If you just want to listen to the sounds already on Soundcloud, all you need to do is visit the site and search for something you might be interested in. You won’t find popular music here, but you will find millions of tracks by independent DJs, sound technicians, sound effects artists, vocalists, and other sound creators.
You can search for Tracks, for People, and for Groups. Most likely, you’ll be searching for tracks, and the easiest way to do that is just to type in a few words about what you’re looking for into the search box at the upper right corner. You can also go to the track search page and choose from the advanced search options to be more specific.
Use words to describe the style of music (instrumental, vocal, electronic, acoustic), the feeling of the music (downtempo, some number of beats per minute), or other kinds of audio (sound effects, comedy recordings, podcasts). Then click on Search and you’ll get a list of track results.
On the site (not in this image), just click on the Play button to listen to the track. At different points, you’ll see comments that other users have added about the music, good and bad. Then you can either search again, click on the track’s creator to hear more by them, or click on one of the tags off to the right for other tracks like this one.
If you want, you can also create an account to leave comments, or even upload your own files.
How Is This Useful?
For listeners, Soundclound is a free source of all kinds of sound. It’s a great way to discover DJs you enjoy and may want to see live, or for theater and filmmakers to find sound effects for their productions.
For sound creators, Soundcloud offers a free and easy-to-use way to share your work out to the world, and help bring together lots of different styles and kinds of sound art in one place.
Help & Resources
The best place to go is simply the Soundcloud help center. You can search for your questions, look at the existing questions, and even ask a support person for help.
One of the things I’ve been wrestling with at IL & CiL lately is that I’m too advanced for a lot of the beginning sessions (heck, I’ve been presenting on them for years) and not specialized or advanced enough for many of the rest. I was sitting in the gap, and for a little while I tried to help create programming to fill that gap, but that didn’t work out so well.
[fast forward 3 hours]
It’s time for lunch, but I wanted to get blogging this conference off to a strong start. More to come…
A short but important DIY post this week, LLO readers. This one’s for the fiber artists out there.
What Is It?
Ravelry is a social network and online community for fiber artists: knitters, crocheters, designers, spinners, weavers and dyers. Once you set up an account, you can post your projects from pattern to finished piece, and get all sorts of suggestions on yarn, technique, and great resources.
You do need to be a member to use Ravelry, but setting up an account takes only a minute or two. Just visit their main page and click on Join now!. Enter your email address and click on Send a signup link. In a few minutes, you’ll receive a link from Ravelry to finish creating your account. Click on the link and then enter all of the information they ask you for.
For more information and Ravelry news, check out their blog.
How Is It Useful?
My usual answer to this applies – “You can keep everything about your projects in one place, online, accessible at any time from anywhere” – but there’s more to Ravelry than that.
- Connect through comments and discussion forums with other fiber artists from around the world
- Find technique help, pattern suggestions, and yarn recommendations
- Get encouragement and support for your projects – post updates and photos as you work and when you’re done
- Use the growing number of mobile apps that work with Ravelry to update and work with your account wherever you are
- Check out Ravelry’s video tutorials for more walkthroughs of their features
Next week on Learning for Life Online, we’ll take a look at some DIY sites for musicians, sound engineers, and special audio effects artists of all sorts. See you then!